Niah McGiff

London

Artist Film: Niah McGiff on Painting and Process

Niah McGiff studio video Watch film

Selected Paintings

Gravity

Gravity is a series rooted in my love of painting the figure. The body has always fascinated me as a subject. It can communicate vulnerability, intimacy, tension and connection without saying a word. These paintings are less concerned with likeness and more interested in expression. Through colour, gesture and line, I use the figure as a way of exploring the complexities of inner life. For me, painting is not about documenting a person as they appear, but about responding to what it feels like to be human.

GRAVITY will be on display at Alexandra Palace's Creativity Pavilion from 21–28 July 2026. View the exhibition listing →

Before We Go
Deer Stop
Amy
Rock Candy
Wintergreen Blush
Payne's Grey
RGB Red Boy

Vestiges (ongoing)

Vestiges grew out of a habit of painting over old works. As I reworked them, parts of previous paintings would remain visible. Ghosts of figures, fragments of line and traces of colour would find their way back through the surface.

The series connects to my ongoing interest in the many versions of ourselves we carry, and the complexities of inner life. What fascinates me most is the process itself: scraping back, painting over and uncovering layers I didn't know were there. It feels like dancing with the work. The more I try to control a painting, the less interesting it becomes. Sometimes you need to get out of your own way and trust where the painting is leading.

Vestiges I
Vestiges II
Vestiges III

About

I am an oil painter and independent curator based in London. Working from photographs, observation and lived experience, I create figures that exist somewhere between recognition and disappearance. Rather than depicting the figure representationally, I am interested in what painting can reveal beneath the surface, exploring the traces of experience that continue to shape who we are.

Underlying my practice is an interest in the explanatory gap: the distance between subjective experience and our ability to fully communicate it. Painting allows me to explore that space, acknowledging that some aspects of memory, emotion and identity can be felt but never completely articulated.

Working primarily in oil paint, my paintings develop through a process of building, removing and rebuilding. I often paint over earlier works, allowing earlier images to remain visible beneath the surface. These layers become part of the finished painting, reflecting my interest in identity as something that is continually changing and multifaceted. The process is as important as the final image, with each decision leaving its own history within the work.

Alongside my studio practice, I organise and self-fund exhibitions that create opportunities for emerging artists at the beginning of their careers. I see this as an extension of my practice and a way of contributing to the artistic community around me.

Ultimately, my work asks how painting can preserve something that is always changing. I hope the figures remain open enough for viewers to bring their own memories and experiences, allowing each painting to become a shared space between the work and the person standing in front of it.

Niah McGiff (b. 1999) is a London based artist whose paintings use the figure as a site of psychological and emotional inquiry.

She trained at the Essential School of Painting, graduating with distinction from the Foundation Diploma in 2019, before studying Fine Art at Chelsea College of Arts, UAL. She has exhibited widely across London and actively curates group exhibitions supporting emerging artists and community led initiatives.

McGiff was awarded First Place in the RISE Emerging Artist Competition and will present work at the Henley Festival in July 2026. Her current body of work, GRAVITY, will be shown in a solo exhibition in London this July, followed by a second presentation at Art Floor Gallery, Taipei, Taiwan in September, her first international showing.

She also recently curated and exhibited in Common Matter at One Navigator Square, Archway, London.

Niah McGiff in studio Niah McGiff painting

Editions

Signed fine art print.

Professionally printed at A4 size and presented in a black wooden frame with an off-white window mount.

Framed size: approximately 25 x 35 cm.£55

Amy limited edition fine art print

Amy

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Before We Go limited edition fine art print

Before We Go

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Lime Tree limited edition fine art print

Lime Tree

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Rain at Dusk limited edition fine art print

Rain at Dusk

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RGB Red Boy limited edition fine art print

RGB Red Boy

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Curatorial Projects

Selected curatorial projects

Flesh & Pixel

Flesh & Pixel was a multidisciplinary group exhibition curated and organised by Niah McGiff at Alexandra Palace, bringing together nine London-based artists working across painting, installation, sound, moving image and performance. Alongside her painting practice, McGiff's curatorial work champions alternative spaces as vital platforms for emerging artists, creating room for experimentation, collaboration and public engagement outside traditional gallery structures.

Flesh & Pixel marked the first in an ongoing series of independently curated exhibitions.

Flesh and Pixel exhibition installation view at Alexandra Palace
Flesh & Pixel, Alexandra Palace, London, November 2025
Sound performance documentation from Flesh and Pixel
Audience at Flesh and Pixel exhibition opening
Visitor viewing paintings at Flesh and Pixel

Common Matter

Common Matter was a multidisciplinary exhibition curated and organised by Niah McGiff at One Navigator Square, London, bringing together emerging artists working across painting, installation, sculpture, moving image and sound. The exhibition reflected a shared interest in material experimentation and the ways artists navigate memory, identity, environment and perception.

Following Flesh & Pixel, Common Matter continued McGiff's commitment to creating independent, community-led exhibitions that make space for connection, conversation and experimentation outside traditional structures.

Common Matter exhibition opening at One Navigator Square
Common Matter exhibition installation view at One Navigator Square

CV

Solo Exhibitions
2026GRAVITY, London (18th July 2026)
2026GRAVITY, Art Floor Gallery, Taipei, Taiwan (September 2026)
Group Exhibitions and Projects
2026Common Matter, One Navigator Square, London
2026Tidal Resistance, Palmer Gallery, London
2026Rise, The Ruby Gallery, Henley Festival, London
2026FOMO, Bleur Gallery, Marylebone, London
2026My Body is Dust, Spira9, The Asylum Chapel, London
2025Flesh & Pixel, Alexandra Palace, East Court, The Creativity Pavilion, London
2025Everything Then Is Now, Spira9, The Old Waiting Room, London
2021Mind The Gap, Artspace Brighton, Brighton
2019THEESOP Summer Show, Mile End Art Pavilion, London
Curatorial Projects
2026Common Matter, One Navigator Square, London (Curated and organised)
2025Flesh & Pixel, Alexandra Palace, East Court, The Creativity Pavilion, London (Curated and organised)
Awards and Prizes
2026First Place, RISE Emerging Artist Competition
2026Henley Festival, Selected Artist Presentation (July 2026)
Education
2019 to 22BA Fine Art, Chelsea College of Arts, University of the Arts London
2018 to 19Foundation Diploma in Art and Design (Distinction), The Essential School of Painting, London

Press

Selected coverage and features
Alexandra Palace
GRAVITY Exhibition
2026
Henley Standard
Henley Festival's RISE Supports Upcoming Musicians and Artists
2026 · Natalie Aldred
Henley Festival
RISE Emerging Artist Prize 2026 — Winner
2026
Made in Shoreditch Magazine
Inside Flesh and Pixel with Artist Niah McGiff: Art in the Age of Screens
2025 · Giedrius Ivanauskas
Alexandra Palace
Curated Exhibition: Flesh & Pixels, Alexandra Palace
2025
Women in Arts Network
How a London Artist Finds Calm Amid Modern Chaos
2025
London Design Festival
Coverage of Everything Then is Now
2025
CollectArts
Figurative Art, Feature and Q&A Interview
2025
CollectArts Magazine
Autumn Issue, Magazine Feature
2025
Bohema Magazine
Feature
2025
Re:art
Issue 3, Soft Silence
2025
CistaArts
Entangled Geographies: Displacement, Belonging, and the Spaces in Between
2025

Get in touch

Contact: studio.niahmcgiff@gmail.com

For exhibition enquiries, press, commissions and sales.